Stoppard’s most recent play, Leopoldstadt, opened at Wyndham’s Theatre in 2020 and transferred to Broadway in 2022. It won multiple Awards, including an Olivier Award and Tony Award for Best Play. He wrote his first play, Enter a Free Man, whilst working as a journalist in Bristol. His plays include Rosencrantz And Guildenstern Are Dead, The Real Inspector Hound, After Magritte, Jumpers, Travesties, Every Good Boy Deserves Favour (a play for actors and orchestra written with André Previn), Night and Day, The Real Thing, Hapgood, Arcadia, Indian Ink, The Invention Of Love, The Coast Of Utopia, Rock’n’Roll, Dogg’s Our Pett, New-Found Land, Dogg’s Hamlet, Cahoot’s Macbeth and The Hard Problem. Adaptations include Tango, Undiscovered Country, On The Razzle, Rough Crossing and Dalliance. Translations include The Seagull, Henry IV, Ivanov, The Cherry Orchard, The House Of Bernarda Alba and Largo Desolato. He wrote eight Evening Standard Award-winning plays, and five of his plays won Tony Awards.

Radio plays include Darkside (set to Pink Floyd’s album The Dark Side of the Moon), On ‘Dover Beach’, If You’re Glad, I’ll Be Frank, Albert’s Bridge (Italia Prize Winner), M Is For Moon Among Other Things, The Dissolution Of Dominic Boot, Where Are They Now?, Artist Descending A Staircase, The Dog It Was That Died and In The Native State. Television adaptations include Parades End (BBC/HBO), A Walk On The Water (from Enter A Free Man), Three Men In A Boat and The Dog It Was That Died. Original television screenplays include Another Moon Called Earth, A Separate Peace, Neutral Ground, Teeth and Professional Foul, which won awards from BAFTA, the Broadcasting Press Guild and Squaring The Circle. He adapted his television dramatisation of Jerome K Jerome’s Three Men in a Boat for BBC Radio.

Screenplays include Anna Karenina, Despair, The Romantic Englishwoman, The Human Factor, Brazil, Empire Of The Sun, The Russia House, Billy Bathgate, Poodle Springs, and Shakespeare In Love (with Marc Norman), which won him an Academy Award for Best Original Screenplay, a Golden Globe and the Broadcast Film Critics and American Guild Awards for Best Screenplay 1998. He directed and wrote the screenplay for the film of Rosencrantz and Guildenstern are Dead, which won the Prix d’Or at the Venice Film Festival 1990 for Best Film.

Tom Stoppard was a CBE and was knighted in 1997.

Tom has served as Producing Artistic Director of the St. Louis Shakespeare Festival since 2018. He is also a Drama Desk-nominated director who has developed or presented work at the Public Theater, The Old Globe, Oregon Shakespeare Festival, Hudson Valley Shakespeare Festival, Red Bull and more. He’s worked with Tony nominees Sting, Sherie Rene Scott, Will Swenson, Kelli O’Hara, Bill Irwin and others, and his productions have won DFW Theater Critics Forum and ECNY Awards and been nominated for St. Louis Theatre Critics Circle, Connecticut Critics Circle and BroadwayWorld Connecticut Awards. He came to St. Louis from Waterwell in New York City, the company he co-founded and led and as Artistic Director from 2002-2018. There he created and produced more than a dozen world-premieres and adaptations of classics that were nominated for three IT awards, a Drama Desk, a New York Magazine Culture Award and a Village Voice “Best of NYC”. Many involved innovative community partnerships, such as resurrecting the lost WWII-era Frank Loesser musicals, Blueprint Specials – featuring Broadway and military veterans and presented on board the former USS Intrepid aircraft carrier – and adapting and directing Waterwell’s dual-language (English/Farsi) version of Hamlet: designed and performed by a company largely of Middle Eastern and South Asian artists. As Artistic Director of Waterwell, he also oversaw the Waterwell Drama Program at the Professional Performing Arts School, one of the preeminent training grounds for young artists and innovators in the country, which offers daily, year-round, conservatory-style classes to more than 200 New York City public school students absolutely free of charge. Since taking over the Festival, he has won a St. Louis Magazine A-List Award for “New Arts Leader” and overseen the Festival’s shift to developing and producing new work, which also won an A-List Award for “New Programming”. The Festival’s regional premiere of George Brant’s Into the Breeches won the Theatre Critics Circle Award for Outstanding Production of a Comedy, and the collaboration he conceived between the Festival, Jazz St. Louis and Big Muddy Dance Company on a world-premiere adaptation of Duke Ellington’s Such Sweet Thunder won the Theatre Circle Award for Outstanding Musical as well as a St. Louis Arts Award for “Arts Collaboration”. His outdoor production of King Lear – starring Tony, Grammy and Emmy Award winner André DeShields, with an all-BIPOC cast – was the nation’s first major live theatrical event since the onset of Covid-19 and was named the “Best Live Theater” of 2021 by the Riverfront Times. The Festival’s new TourCo program he launched in 2021 is now the largest outdoor Shakespeare tour in the world. And the Confluence Regional Writers Project has commissioned over a dozen new plays from emerging playwrights in Missouri and Illinois since 2019, more than half of which have gone on to full productions at theaters around the country. He also led the effort, alongside Aaron Williams of 4theVille, to prevent the closure of Sumner High School, the oldest black high school west of the Mississippi, and give it a new focus on Arts and Activism. The Sumner Recovery Plan won a LaunchCode Moonshot Award for “Collaboration”, an ACAC IDEA Award for “Inclusion, Diversity, Equity, and Accessibility” and a St. Louis Arts Award for “Art Collaboration”. It now offers daily in-school instruction in Dance, Drama, Fashion, Music and Visual Art to over 200 St. Louis public school students through an innovative public-private partnership with over a dozen local arts organizations.