Jennifer Joan Thompson is a writer, actor, and educator based in St. Louis. Her plays have been performed in New York and New Haven. She has been a finalist for the O’Neill National Playwrights Conference and featured on Steppenwolf’s “The Mix” list. As an actor she has performed on and off Broadway, regionally and in television at theatres including Lincon Center, Roundabout, Manhattan Theatre Club, Ensemble Studio Theatre and regionally around the country. She has taught playwrighting, acting, and theatre history at The University of Pennsylvania, Webster University, Brooklyn College, and City College and is currently an assistant professor of theatre studies at Southern Methodist University. Her book on Chilean theatre is currently available with Northwestern University Press. BA: Yale University; MFA: NYU; PhD: CUNY Graduate Center. She dedicates her work on this play to her two daughters, Eleanor and Rosie.

Tom has served as Producing Artistic Director of the St. Louis Shakespeare Festival since 2018. He is also a Drama Desk-nominated director who has developed or presented work at the Public Theater, The Old Globe, Oregon Shakespeare Festival, Hudson Valley Shakespeare Festival, Red Bull and more. He’s worked with Tony nominees Sting, Sherie Rene Scott, Will Swenson, Kelli O’Hara, Bill Irwin and others, and his productions have won DFW Theater Critics Forum and ECNY Awards and been nominated for St. Louis Theatre Critics Circle, Connecticut Critics Circle and BroadwayWorld Connecticut Awards. He came to St. Louis from Waterwell in New York City, the company he co-founded and led and as Artistic Director from 2002-2018. There he created and produced more than a dozen world-premieres and adaptations of classics that were nominated for three IT awards, a Drama Desk, a New York Magazine Culture Award and a Village Voice “Best of NYC”. Many involved innovative community partnerships, such as resurrecting the lost WWII-era Frank Loesser musicals, Blueprint Specials – featuring Broadway and military veterans and presented on board the former USS Intrepid aircraft carrier – and adapting and directing Waterwell’s dual-language (English/Farsi) version of Hamlet: designed and performed by a company largely of Middle Eastern and South Asian artists. As Artistic Director of Waterwell, he also oversaw the Waterwell Drama Program at the Professional Performing Arts School, one of the preeminent training grounds for young artists and innovators in the country, which offers daily, year-round, conservatory-style classes to more than 200 New York City public school students absolutely free of charge. Since taking over the Festival, he has won a St. Louis Magazine A-List Award for “New Arts Leader” and overseen the Festival’s shift to developing and producing new work, which also won an A-List Award for “New Programming”. The Festival’s regional premiere of George Brant’s Into the Breeches won the Theatre Critics Circle Award for Outstanding Production of a Comedy, and the collaboration he conceived between the Festival, Jazz St. Louis and Big Muddy Dance Company on a world-premiere adaptation of Duke Ellington’s Such Sweet Thunder won the Theatre Circle Award for Outstanding Musical as well as a St. Louis Arts Award for “Arts Collaboration”. His outdoor production of King Lear – starring Tony, Grammy and Emmy Award winner André DeShields, with an all-BIPOC cast – was the nation’s first major live theatrical event since the onset of Covid-19 and was named the “Best Live Theater” of 2021 by the Riverfront Times. The Festival’s new TourCo program he launched in 2021 is now the largest outdoor Shakespeare tour in the world. And the Confluence Regional Writers Project has commissioned over a dozen new plays from emerging playwrights in Missouri and Illinois since 2019, more than half of which have gone on to full productions at theaters around the country. He also led the effort, alongside Aaron Williams of 4theVille, to prevent the closure of Sumner High School, the oldest black high school west of the Mississippi, and give it a new focus on Arts and Activism. The Sumner Recovery Plan won a LaunchCode Moonshot Award for “Collaboration”, an ACAC IDEA Award for “Inclusion, Diversity, Equity, and Accessibility” and a St. Louis Arts Award for “Art Collaboration”. It now offers daily in-school instruction in Dance, Drama, Fashion, Music and Visual Art to over 200 St. Louis public school students through an innovative public-private partnership with over a dozen local arts organizations.

For 35 years, Michael Curry Design has been a leader in entertainment and attractions around the world, creating some of the most iconic forms of puppetry, set design, and spectacle. Our in-house design and production teams are made up of over 50 highly specialized artists, designers, technical consultants, and fabricators. This award-winning multidisciplinary team is sought out by the world’s foremost entertainment companies, including The Walt Disney Company, Universal, Wynn Resorts, Metropolitan Opera, Cirque du Soleil, as well as Olympic and Super Bowl Ceremonies. Michael Curry Design continues to innovate, heavily incorporating new technologies while being grounded in traditional theatrical techniques to create the world’s most exemplary entertainment experiences.