Tom Ridgely has served as Producing Artistic Director of the St. Louis Shakespeare Festival since 2018. He is also a Drama Desk-nominated director who has developed or presented work at the Public Theater, The Old Globe, Oregon Shakespeare Festival, Hudson Valley Shakespeare Festival, Red Bull and more. He’s worked with Tony nominees Sting, Sherie Rene Scott, Will Swenson, Kelli O’Hara, Bill Irwin and others, and his productions have won DFW Theater Critics Forum and ECNY Awards and been nominated for St. Louis Theatre Critics Circle, Connecticut Critics Circle and BroadwayWorld Connecticut Awards.

He came to St. Louis from Waterwell in New York City, the company he co-founded and led and as Artistic Director from 2002-2018. There he created and produced more than a dozen world-premieres and adaptations of classics that were nominated for three IT awards, a Drama Desk, a New York Magazine Culture Award and a Village Voice “Best of NYC”. Many involved innovative community partnerships, such as resurrecting the lost WWII-era Frank Loesser musicals, Blueprint Specials – featuring Broadway and military veterans and presented on board the former USS Intrepid aircraft carrier – and adapting and directing Waterwell’s dual-language (English/Farsi) version of Hamlet: designed and performed by a company largely of Middle Eastern and South Asian artists. As Artistic Director of Waterwell, he also oversaw the Waterwell Drama Program at the Professional Performing Arts School, one of the preeminent training grounds for young artists and innovators in the country, which offers daily, year-round, conservatory-style classes to more than 200 New York City public school students absolutely free of charge.

Since taking over the Festival, he has won a St. Louis Magazine A-List Award for “New Arts Leader” and overseen the Festival’s shift to developing and producing new work, which also won an A-List Award for “New Programming”. The Festival’s regional premiere of George Brant’s Into the Breeches won the Theatre Critics Circle Award for Outstanding Production of a Comedy, and the collaboration he conceived between the Festival, Jazz St. Louis and Big Muddy Dance Company on a world-premiere adaptation of Duke Ellington’s Such Sweet Thunder won the Theatre Circle Award for Outstanding Musical as well as a St. Louis Arts Award for “Arts Collaboration”. His outdoor production of King Lear – starring Tony, Grammy and Emmy Award winner André DeShields, with an all-BIPOC cast – was the nation’s first major live theatrical event since the onset of Covid-19 and was named the “Best Live Theater” of 2021 by the Riverfront Times. The Festival’s new TourCo program he launched in 2021 is now the largest outdoor Shakespeare tour in the world. And the Confluence Regional Writers Project has commissioned over a dozen new plays from emerging playwrights in Missouri and Illinois since 2019, more than half of which have gone on to full productions at theaters around the country.

He also led the effort, alongside Aaron Williams of 4theVille, to prevent the closure of Sumner High School, the oldest black high school west of the Mississippi, and give it a new focus on Arts and Activism. The Sumner Recovery Plan won a LaunchCode Moonshot Award for “Collaboration”, an ACAC IDEA Award for “Inclusion, Diversity, Equity, and Accessibility” and a St. Louis Arts Award for “Art Collaboration”. It now offers daily in-school instruction in Dance, Drama, Fashion, Music and Visual Art to over 200 St. Louis public school students through an innovative public-private partnership with over a dozen local arts organizations.

After several years working in the St. Louis nonprofit and Museum sector, Amy is excited to join the Festival to oversee it’s marketing & communications operation. Amy is a historian, writer, and professional communicator who holds a bachelor’s degree in History from Saint Louis University and a master’s degree in History from the University of Missouri, St. Louis. Her graduate thesis, “Amelia Earhart: Myth & Memory,” was published in 2020 and Amy is currently reworking it into a book manuscript. Amy is partial to Shakespeare’s comedies, in particular Much Ado About Nothing. 

Celia Chojnacki joined the team in March 2024. She had spent the previous few years of her nonprofit career doing work in community engagement, membership recruitment, and volunteer support – and is excited to bring those skills to the Development team at the Festival! Since her youth, she has always had a great love and deep appreciation for the arts (though, after starring as Ophelia in a school production of Hamlet, she’s come to realize her contributions to the theater may be best kept behind the scenes!). Celia moved to St. Louis in the summer of 2021 and looks forward to becoming even better acquainted with the city through participating in one its most valued and treasured traditions.

Hannah Baartman is a St. Louis theatre educator and performer with a deep well of inspiration in Shakespeare. She has performed with various St. Louis theatres, including The MUNY, Metro Theatre Company, and the St. Louis Shakespeare Festival, as well as Shakespeare’s Globe in London. As Education Manager at the Festival, she is dedicated to developing programs that use the disciplines of Shakespearean stage-craft and poetry to promote literacy, community, and personal growth. As a Teaching Artist, Hannah (Mrs. Bard) intentionally crafts each class or rehearsal session to equip and encourage students to enjoy their work and embrace the people working alongside them. 

Deanna Jent is a Professor of Theatre at Fontbonne University. Her play Falling won the Kevin Kline award for Best New Play of 2011 and was nominated for a Drama Desk Best Play award following its Off-Broadway run in 2012. Falling is published by Dramatists Play Service and continues to be produced nationally and internationally. Her adaptations of Jane Austen’s Pride and Prejudice and C.S. Lewis’s Till We Have Faces have been performed at theatres around the country. Other plays include Bosnian/American: The Dance For Life, Imaginary Jesus and Six. Sisters. She was the artistic director of Mustard Seed Theatre company from 2007-2019, and has directed for the Illinois Shakespeare Festival, New Jewish Theatre, Shakespeare Festival St. Louis Touring Company, The Orange Girls and ACT Inc. She was named “Best Director of a Musical by the St. Louis Theatre Circle for Mustard Seed Theatre’s productions of All is Calm: The Christmas Truce of 1914 and Godspell. She has a BFA from Illinois Wesleyan University and a PhD from Northwestern University.